![]() ![]() Finally, there’s the Di Grasso family-grandpa Bert (F. They’re traveling with the finance bro Cameron (Theo James) and his cheery wife, Daphne (Meghann Fahy), who seem to live an Instagram-perfect life of vacations and not reading the news. There’s Harper (Aubrey Plaza) and Ethan (Will Sharpe), a newly rich couple thanks to Ethan’s start-up, who are just getting their bearings on the tax bracket they’ve recently entered. Aside from Tanya and her beleaguered assistant, Portia (Haley Lu Richardson), the brilliantly cast ensemble includes several parties tailor-made for uncomfortable situations. This is still The White Lotus, just prodding the privileged from a new angle.īesides, White’s greatest asset, his knack for writing vivid characters whose performative dialogue betrays their deepest insecurities, is still in full force. These alterations contribute to a show that feels strangely familiar yet tantalizingly refreshing. And there are sojourns away from the resort itself, placing the wealthy characters in new contexts, aboard yachts and in rented palazzos. The service workers play a minimal role this time around, leaving more screen time for the tourists’ twisted games. There’s not just one corpse but multiple guests dead by the end of the week. White has said he wanted the new installment to have “an operatic feel” that would match (perhaps stereotypically) its Italian locale, and the story is certainly a lot soapier than before. Season 2 is as juicy as Season 1, but it’s not as caustic in its approach. ![]() Read: The awful secret of wealth privilegeįor the most part, the pivot from observing class and racial politics to sexual politics works in The White Lotus’s favor. The rich have wandering eyes and intimate desires-and their wallets can satisfy only so much. Money plays a constant role, an elephant in the bedroom. Within the White Lotus, adultery abounds, couples engage in power plays, and flirtatious encounters occur among old friends and strangers alike. Even Tanya (Jennifer Coolidge), the lone leading character to return from the preceding season, is horny: She’s now married to Greg (Jon Gries), whom she met back in Hawaii, but their relationship has soured, and she’s desperate to keep his interest. Two local escorts, Lucia (played by Simona Tabasco) and Mia (Beatrice Grannò), circle the grounds like sharks, seeking rich clients to seduce. Male passersby leer at female guests roaming the streets around the hotel. Down at the toe of Italy’s boot, lust hangs in the air. Season 2 takes place abroad, and with the shift away from America comes a change, too, in thematic focus. Thanks to its runaway success-including 10 Emmy wins out of 20 nominations- The White Lotus, once billed as a limited series, has morphed into an anthology show. They can’t help but want more, more, more-so much so that even being in paradise doesn’t suffice. The show followed an ensemble of one-percenters at the titular resort in Hawaii, observing how their privilege blinds them to reality and corrupts everyone around them, leading to conflicts, cruelty, and, eventually, violence. Created by Mike White, The White Lotus became an unexpected hit for the way its first season skewered the wealthiest of the wealthy by combining absurd humor with sharp commentary on colonialism, racial politics, and class. “Screw around and you’ll end up in the garden!”īut the show itself isn’t so quick to ignore the pitch-black truths behind luxurious facades. “It’s a warning to husbands, babe,” one quips sunnily to her spouse. It’s a rather violent origin story for such ornate artwork, but the visitors casually brush this off. As a receptionist informs the newly arrived guests in the second season of HBO’s The White Lotus, the objects represent a tragic folktale: When Sicily was occupied by the Moors centuries ago, a young Moorish man seduced a Sicilian girl, but after she learned that he had a family back home, she beheaded him and used his skull as a vase. The fictional White Lotus resort in Sicily is home to a collection of Testa di Moro, beautifully decorated vessels shaped like human heads made by local artisans. ![]()
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